So apparently Footloose is being remade. And apparently TNT has ordered a pilot for an updated version of Dallas. Also, At the Movies is returning to PBS — complete with a speechless Roger Ebert. Is there a single original story idea left in the media business? It would seem not. This summer we received The Karate Kid, an original story based upon… The Karate Kid. Even Avatar, This Year’s Greatest Movie of All Time, is essentially Pocahontas Dances with Wolves in Space. Television demonstrates this trend even more: how many shows use the Law & Order formula? At least seven? As I’ve pointed out before, Fringe is The X-Files for the A.D.D. generation, and ABC tried to similarly recycle Twin Peaks into Happy Town this summer. (Yeah, I’m not surprised you haven’t heard of it.) Sure, the producers latch on to the formulas that make money, but whatever happened to risk-taking? Lost was good for the first two years, until the writers ran out of ideas. House was sort of innovative, but it imitates itself too much. The only really original show currently in production that I am aware of is Mad Men — the only show I watch as it airs.
The current drivel that makes up most television programming may reel in the big bucks, but it doesn’t attract me. Maybe when the History Channel returns to history-centered programs I’ll return. But until then, why would I watch The Universe when I can watch Carl Sagan’s Cosmos on DVD?